Monday, April 6, 2026

Idylease: A Memoir of Time, Memory, and Place


As the son of a doctor you were never permitted to miss school. If you feigned symptoms, he would give you medication and send you off to the bus stop.

Long after the accident that nearly cost him his life, I wasn’t born yet when it happened. It wasn't until later much when I first saw the scar on his hip where they had inserted a steel rod. I had no idea what it meant or how he got it. He never spoke about it or acknowledged it. It seemed to just be a part of who he was. I would only see it if he showered or if we were at the beach in the summertime.

In 1979 he had triple bypass surgery. In those days they opened your chest and wired you back together. After that he had a long scar down the center of his chest that ran from the base of his throat down the middle of his chest. When he coughed, he would press his hand against his chest and you could see the pain in his face. There was also the scar on his leg where they had taken the vein, a long incision down the inside of his leg, another mark that had been added to him. The scarring was now added to the one on his hip from the accident in 1963.

Now it was multiple scars.

He had an almost imperceptible limp that you knew existed only if you knew its source.
Some men carry their injuries so quietly that you only see them if you know where to look.
On the morning after the surgery, we knew he was in cardiac intensive care. My mother had come home the night before to be with us.

When I came downstairs that morning, my mother was sitting at the kitchen table. I don’t know if she had slept. The house was quiet. The others had already left for school and I was home alone with her. She explained that visiting hours would be starting soon and she asked me if I would go with her to see him. I was confused because as the son of a doctor you were never permitted to miss school.

Only as an adult did I realize that she was afraid to go by herself. She did not know what condition she would find him in at Newark Beth Israel. I remember being hesitant to agree, because with her, moments of vulnerability often came with a price later. But the idea of missing school and going to see my father was fine with me.

The car ride was quiet. There was no radio. She chain-smoked the entire way there.

When we arrived at the hospital and exited out of the parking garage into the sunlight, we crossed the street and went into the lobby. The sign showed the floor number for the Cardiac Intensive Care Unit. In the elevator she was distracted, so I had to press the button.

When the doors opened onto the floor, it was a different world from the street. It was dimly lit and people spoke in hushed tones. There was a heaviness in the air that you could sense immediately.

As we walked down the shiny linoleum-floored hallway, my sneakers squeaked on the floor. 

We passed a nursing station where people worked with serious expressions on their faces.

When we reached his room, his name was written in magic marker on a nameplate by the door. The door was open.

As I started to enter the room, my mother stopped me and took me by the arm. She said she did not know what we would find when we walked in. But I pulled away from her. He was just on the other side of the door. It didn’t matter to me what she was saying. I just wanted to see him.

By that point in my life, I had already seen things most boys had not. My father had taken me with him on calls where life had ended suddenly and violently. I had seen what the inside of the human body looked like. My mother did not know that. She thought she was protecting me, but I had already seen more than she knew.

So I walked into the room. I thought I was prepared to see him. I wasn’t.

I had seen death before, but I had never seen this. This was something else.

The man in the bed did not look like my father. His chest was wrapped in thick bandages and tubes were coming out of his body in places I did not think possible. There were wires taped to his chest and machines next to the bed that made steady beeping sounds. A clear tube was taped to his mouth and ran down into his throat, and another tube ran out from under the sheets into a container on the side of the bed that was filling with dark fluid. There were IV lines in both arms, and his hands looked swollen and pale.

The room smelled like antiseptic and something metallic. The lights were bright over the bed but dim everywhere else, and the machines made sounds that did not stop. The sound was steady and mechanical, like something was doing the work that his body was supposed to be doing.

I had seen death before with my father, but this was different. This was not death. This was someone being kept alive by machines, cut open and put back together, and I did not know where to look because it was all too incomprehensible.

The father I knew — the strong one, the doctor, the calm one, the man who fixed things, the man who helped everyone else — was gone, and in his place was someone else lying in that bed.

I remember my mother going to the bedside and taking his hand. In that moment I felt like all distance had been pushed away from me. I was standing in the center of the room exposed and afraid. I was frozen, but no one around me knew what was happening inside me. Part of me wanted to run out of the room, but I knew I had to stay for him. The people in the room moved around me as if I were a piece of furniture that had always been there.

It was in that moment that one of the nurses looked over at me, and I could tell by the look in her eyes that she knew what was happening to me. She said I was white as a ghost and sweating, and I had not even realized it. When she said that, it drew my mother’s attention, and I saw the same look in my mother’s eyes that I had just seen in the nurse’s.

My mother did not move from the bedside, and the nurse sat me down on a makeshift seat near the wall. She told me to put my head between my legs, and she splashed cold water on the back of my neck. I remember the cold water running down under my shirt and the smell of antiseptic in the room.

After I had sat there for a while and the room stopped spinning, my head was down. When I finally looked up, I was only a few feet from the bed.

And there it was — the scar I had seen for so many years.

As I stood next to the bed, I realized he was naked under the sheets except for a small privacy screen placed over his groin. That was why his hip was exposed. That was when I saw the scar from the accident in 1963 where they had put the steel rod into his leg. I understood immediately what I was looking at. I had seen enough with him over the years to understand the body and what had been done to it.

It was simpatico.

I saw the scar and suddenly I was alright.

That understanding gave me the ability to get out of the chair and walk over to the bed. But I knew it was because of him that I had the strength to do it.

I walked over and stood next to the bed. My mother stood on the other side holding his hand. I did not know what to say, so I just stood there and looked at him.

After a while, I found myself looking down at his hands. They were gentle hands. The hands of a surgeon. They were the hands I had watched my whole life. The hands that held instruments. The hands that sewed with surgical silk. The hands that carried people when they could not walk. The hands that drove the ambulance in the middle of the night.

Now they were lying still and hanging off the edge of the bed, with a hospital bracelet around his wrist and a needle taped to the back of his hand.

I noticed his wedding band.

It was the same ring I wear today. I stood there and looked at him for a long time.

The scar from the accident in 1963 was the one I had seen for years.

Standing there beside the bed, I understood what it meant.

He had been hurt before, and he had survived before.

That was all I needed to know.

After a while, a nurse came over and said visiting hours were over and that we had to leave. My mother leaned over and kissed him, and then we walked out of the room.

When the door closed behind us, the sound of the machines stopped, and the sunlight was bright in the hallway and quiet again.

As we walked back down the hallway to the elevator, my sneakers squeaked on the linoleum floor.


Monday, November 3, 2025

Idylease Bourbon: Crafted in the New Jersey Highlands

 

Idylease Bourbon
Idylease Bourbon: Crafted in the New Jersey Highlands, Inspired by History and Artisan Legacy

A Legacy of Craftsmanship


The spirit of craftmanship lives on in Idylease Bourbona tribute to the enduring art of artisan workmanship. Our bourbon’s journey begins not in Kentucky, but in the New Jersey Highlands—a region of rugged hills, dense forests, and crystalline lakes whose landscape mirrors the Scottish Highlands. Here, the cool climate and pure air create ideal conditions for aging whiskey. Each barrel is crafted in the cooper’s tradition—new, charred American oak, just as the law and the legacy of bourbon demand. The charring caramelizes the wood sugars, infusing the bourbon with notes of vanilla, caramel, and toasted oak. As the spirit breathes through the seasons, it draws flavor and character from the wood—becoming deep, rich, and complex. Idylease Bourbon is more than whiskey. It is a testament to generations of craftsmanship—an inheritance of skill, pride, and artistry that transcends trade and time. A Legacy Inherited from my Grandfather Erminio Zampella, arrived in New York Harbor around the turn of the 20th century, a young man from Santomenna, a small town nestled in the Campania region of southwestern Italy. In his homeland, he was a cooper—a master barrel maker. When Erminio reached Ellis Island, he proudly declared his occupation, but the immigration officer, glancing over his papers, shook his head. “No need for barrel makers in America,” he said. Instead, he asked what else the young man could do. Erminio explained that, in his youth, he had sometimes waited tables to earn extra money. The officer nodded, scribbled something down, and said, “Then you’re a restaurateur.” From that moment on, Erminio took those words as destiny. If America saw him as a restaurateur, then a restaurateur he would become. Guided by the same hands that once shaped white oak into casks, he poured his craftsmanship into a new form—food, hospitality, and community. Today, Erminio's story reminds us that craftsmanship is not confined to a single trade—it is a way of life, passed down through generations, reshaping itself as times change but never losing its essence.

A Legacy Inherited from my Grandfather


Erminio Zampella, arrived in New York Harbor around the turn of the 20th century, a young man from Santomenna, a small town nestled in the Campania region of southwestern Italy. In his homeland, he was a cooper—a master barrel maker. When Erminio reached Ellis Island, he proudly declared his occupation, but the immigration officer, glancing over his papers, shook his head. “No need for barrel makers in America,” he said. Instead, he asked what else the young man could do. Erminio explained that, in his youth, he had sometimes waited tables to earn extra money. The officer nodded, scribbled something down, and said, “Then you’re a restaurateur.” From that moment on, Erminio took those words as destiny. If America saw him as a restaurateur, then a restaurateur he would become. Guided by the same hands that once shaped white oak into casks, he poured his craftsmanship into a new form—food, hospitality, and community. Today, Erminio's story reminds us that craftsmanship is not confined to a single trade—it is a way of life, passed down through generations, reshaping itself as times change but never losing its essence.

About Richard Zampella

Continuing his legacy of craftsmanship, Richard serves as the Master Distiller at The Idylease Distillery, where he combines time-honored techniques with modern innovation to produce spirits that embody the character and heritage of the region. 

Proud of his ancestry and lifelong connection to Idylease, Richard Zampella continues to uphold the values of excellence, service, and authenticity that have defined his predecessors at Idylease since 1902.

Wednesday, May 7, 2025

New Transmultimedia Entertainment Website Launched

 

Transmultimedia Entertainment
New Transmultimedia
Entertainment Website
Transmultimedia Entertainment is a film production company located in the New York, Tri-State Area. We are a digital creative agency that specializes in pre and post production services including editing, sound design, color correction, broadcast engineering and motion graphics. Transmultimedia Entertainment produces thoughtful and engaging programming for film and television. Several of our projects can be currently seen on Public Television in the United States and PBS America throughout Europe. We have also produced content for Paramount Pictures, Lionsgate Entertainment and Warner Home Video. Our projects have been reviewed and recognized by periodicals including: The New York Times, Variety, The Washington Post, The Los Angeles Times, The New York Daily News, The Village Voice and many other news and entertainment outlets.

Our Services Include:

Film & Television Production

Transmultimedia Entertainment production services encompass a wide range of pre and post production assistance. Pre-production phases include planning, budgeting, scripting, scheduling, securing on-camera talent and voice over artists. During production our camera crews often travel to locations to secure interviews and raw footage which includes makeup, lighting and sound. Post production services include; editing, color correction, visual and audio correction, motion graphics, closed captioning and file preparation for final presentation to networks and streaming services.

Graphic/Web Design

We create graphics and branding/marketing packages for projects with a concentration in the film, hotel and hospitality markets. Our graphic design projects have appeared both nationally and abroad in Europe for television and film. We design websites utilizing all the conventions of easy navigation while incorporating exceptional aesthetic designs. We will spend time with your company in order to accurately represent your business online.

Portraiture

Transmultimedia Entertainment has been taking photographs since 1998. We produce images for all areas of media with a concentration in Hotel and Restaurant Photography. We also do portraiture photography with the strategic use of lighting and backdrops as an important component of our portraits. Our images have appeared in numerous magazines, periodicals, documentaries and print advertisements around the world. We are experts in the use of Adobe Photoshop in finishing and manipulating images for print, digital and social media.

Motion Graphics

At Transmultimedia Entertainment we create artwork where we compose animated graphics for all media. We work with audio and visual effects to create moving content for media including; television, the internet, film and social media campaigns. We create moving content in both senses of the word. We primarily utilize Adobe After Effects and can output compositions in any pixel ratio or file format.

Aerial Drone Video/Photography

Transmultimedia Flys the DJI Mavic Pro which captues crisp and clear aerial 4K vide/photos of archictecture, hotel grounds, estates and places. We are FAA certified and provide stunning high-resolution images suitable for both print and digital media. Simply tell us your business or other objective and we will work with you to meet your goals.


Friday, May 10, 2024

2024 Renovations at Idylease: A Historic Structure

 


As the owner and operator of Idylease in West Milford, NJ, I am fully aware that I am only a temporary steward of this Historic Landmark. I am fourth in the line of owner/operators who have made the preservation of the structure a part of my lifes work. As a preservationist, I am a proponent that the past can educate. Architecture as an example, is a direct and substantial representation of history and place that can teach us about our collective past. By preserving historic structures, we are able to share the very spaces and environments in which the generations before us lived. Preserving historic buildings―whether related to someone famous or recognizably dramatic―strangers are able to witness the aesthetic and cultural history of a period in time and an another era. Old buildings maintain a sense of permanency and heritage. There is no chance to renovate or to save a historic site once it’s gone. And we can never be certain what will be valued in the future. Jaqueline Onassis once said, "If we don't care about our past, we cannot hope for the future. ... I desperately care about saving old buildings." At its best preservation engages the past in a conversation with the present over a mutual concern for the future. There may have been a time when preservation was about saving an old building here or there, but those days are gone. Preservation is in the business of saving communities and the values they embody.  Every day I think about my dad, Doctors Day and Drake who were the previous owners of Idylease. I also think about the myriad of people who have passed through her door since New Year’s Day in 1903. I would like to think they would all be proud. When my hands run down the stairway banisters, I feel a connection that their hands, along with Thomas Edison and other luminaries, have also touched those same places. We have a great past and look forward to a great future here. With the latest round renovations at Idylease I am honored to play my small role in the preservation of this Historic Landmark for future generations to come.


-Richard Zampella 
May 2024



Tuesday, October 24, 2023

Idylease Tree Farm in West Milford , New Jersey

Idylease Tree Farm
Richard Zampella Manages Idylease Tree Farm Farm  

Idylease Manages our 100 acre property in cooperation with professional consulting foresters so as to ensure the long term sustainability of the forest for this generation and generations to come. Idylease Tree Farm is owned and operated by Richard Zampella who has oversite of the forest which has been managed for over 40 years. The previous Woodland Management Plan (WMP) was developed by Dennis Galway for the landowner in 2010. The plan expired at the end of 2020; A new plan has been certified which continues with the forest management under the guidance of Ridge and Valley Forest Management.

Thousands of trees stand majestically at the Idylease Tree Farm Farm in West Milford, NJ. Owner Richard Zampella helped plant the first trees in 1972 and has watched them grow into the present. “They were just seedlings an less than foot tall,” Zampella said “The Norwegian Spruce and Scott Pines are now over 70 feet tall.”

Zampella’s father started the farm and was awarded the Outstanding Tree Farmer of the Year in 1991 for his efforts. Now, it has become a 2nd generation stewardship of the forest. “Forests like this are important,” said Andy Bennett who is the consulting Forester for Idylease. “Forests are like timber engines, they’re strong and they are growing a lot of cubic feet per acre per year.”

Bennett has worked in forestry for more than 15 years. He operates Ridge and Valley Foresty. He said the industry has undergone significant change and that Idylease Tree Farm should remain successful for several more decades. This is the farm’s third thinning in 50 years. He estimates the farm should still be in operation for at least another 50 years.

Visit Idylease Tree Farm Website for more information: https://idyleasetreefarm.com

Sunday, October 1, 2023

Idylease Heliport

IDYLEASE: SERVING THE COMMUNITY SINCE 1902

Idylease Helistop/Heliport. FAA Identifier: 1NJ6.

The heliport is utilized by the Emergency Services Departments for West Milford and Jefferson Townships. The New Jersey State Police regularly utilize the landing field when critical patients require transport to the nearest trauma center. Idylease Helistop was established in 1973 by Dr. Arthur Zampella, a prominent physician, public servant and FAA Flight Examiner whose practice was located in West Milford, New Jersey. Licensed by the Federal Aviation Administration, the facility is privately owned and operated by Richard Zampella. Visit our website at: https://njhelistop.com

Saturday, March 25, 2023

Idylease’s Owner Plots its Future




WEST MILFORD. Richard Zampella is planning a restaurant and guest house at the historic landmark. –––RICH ADAMONIS WEST MILFORD / | 25 MAR 2023 | 01:47

The next chapter in the 120-year history of Idylease, West Milford’s first historic landmark building and estate, is taking shape.

Owner Richard Zampella is aiming for New Year’s Day 2025, which would be 122 years after Idylease opened its doors.

“Idylease will reopen a guest house and retreat for visiting guests,” he said. “We’ll have a full-service restaurant with a classic dining room and sun porch to accommodate over 60 guests and bar service.

“Idylease will be a cultural and social center, venue for the arts and theater, special events, weddings, and holiday and country get-aways - not a bed-and-breakfast, as I don’t like to apply the term to our unique environment.”

Zampella said he’s making progress toward those goals and is “in a position to be ready for the public despite the many challenges and heavy workload that comes with restoring a place that is more than a century old and on several occasions was dormant.”

He continues his effort to place Idylease on the National Register of Historic Places.

To win that designation, a property must meet criteria related to its age, significance and integrity.

New Jersey’s Historic Preservation Office has offered its support to Zampella, who is weighing a final submission based on his holistic plan for Idylease.

“The historic designation would help preserve and protect Idylease for future generations,” he noted.

A public open house at Idylease is planned in September.

Temporary steward

Zampella, 57, is the son of Dr. Arthur Zampella, the estate’s third owner, who purchased the property in 1954 and operated his medical practice there until he died in 1992.

Richard, who was born in West Milford, bought the estate in 2016 from his family trust. He has focused on preserving Idylease and sustaining its value for future generations.

“Like my father and the owners before him, I’m only a temporary steward of Idylease,” he said.

“As a preservationist, I am a proponent that the past can educate. Architecture, as an example, is a direct and substantial representation of history and places that can teach us about our collective past. By preserving historic structures - whether related to someone famous or recognizably dramatic - we share the very spaces and environments in which the generations before us lived. Strangers can witness the aesthetic and cultural history of an area.

“Old buildings maintain a sense of permanency and heritage. You can’t renovate or save a historic site once gone. And we can never be certain what will be valued in the future.”

To that end, Zampella embraces adaptive reuse, or finding a new purpose for the structure and land to be preserved.

“There are inherent risks to an old structure as it can’t be replaced,” he said. “Adaptive reuse ensures that it can be sustainable, financially and more, to both protect the past and ensure a valued future.”

He embraces the journey with his long-time life partner, Shannon.

Film on Idylease

Zampella grew up at Idylease and graduated from West Milford High School in 1984. At Rutgers University, he earned a degree from the Mason Gross School of Arts and produced an award-winning film on Idylease.

After four years of active-duty military service in the Intelligence Corps and during 12 years in the Army Reserves, he lived in New York City as he pursued a multifaceted career as a documentary film maker and cameo actor (credits include “The Guiding Light” and “The Thomas Crowne Affair”) and as a professional in the food and beverage and hotel industries.

His company, Transmultimedia Entertainment, has produced and aired film documentaries on PBS and elsewhere.

He worked at several well-known restaurants and hotels, including the Essex House and the Plaza Hotel’s Oak Room. For 15 years, he worked at Rockefeller Plaza’s Rainbow Room for renowned restaurateur Joe Baum.

Baum urged Zampella to create a business plan for Idylease.

Zampella also engaged famed architect Hugh Hardy, who provided valuable insights now being applied in the restoration.

“Hugh wondered how we could express an urbane concept and idea into a rural setting. He left me in awe and along with Joe (Baum) and others influenced my life and work at Idylease.”

Combination of old and new

Located on the western end of Union Valley Road just a quarter-mile from Route 23 in Newfoundland, Idylease boasts an iconic four-story 50-room Dutch revival main house with neo-classical elements.

Its spacious porch with 40-feet-wide steps and distinctive columns, which Zampella has restored personally, is 100 feet long with two 50-foot sections on the north and south sides of the house.

“One of my favorite pastimes, both today and as a youngster, is sitting on the porch with a cold drink and taking in the surrounding beauty,” he said.

Atop a 30-foot pole mounted on the front lawn flies an American flag - in part recognizing the military service of the Zampellas father and son.

The building’s interior is a throwback in time.

The entrance’s large foyer, with ornate dark oak trim, paneling and floors, gives way to a sizeable dining room, sewing and sitting rooms, and private alcoves as well as a double-wide wooden stairway to the floors above. Original paintings and photos adorn the hallways and rooms.

The 100-acre property has five other last-century buildings, a heliport used by West Milford and local area emergency services, and well-manicured lawns, gardens and stately trees that include lines of Evergreens planted by young Rick at his father’s behest.

The house’s 24 guest rooms serve 17 long-term tenants who by design are largely creative types, including artists who help make Idylease a reinfusing place, Zampella said.

“Idylease offers a rural and historic living opportunity, so our tenants need to be the right fit for our house and our community, people who have a reverence for Idylease and its history.”

Edward Karas, 62, occupies a newly renovated room on the second floor.

“Richard and Shannon are kind and welcoming very intelligent people who care about Idylease and everyone here as well as this town - its history and its future,” he said.

“Richard has done a beautiful job in renovating and preserving the house, including the floors and woodwork, furniture and artwork, plumbing and electric - things are original as original could be,” he added. “When you care about something and put your heart and life into it like Richard does, that’s what you get: something very special.”

Inspired by his father

During its first 50 years, Idylease served as a resort for those who sought a country getaway and a hostel for individuals seeking restorative health and medical services, including those suffering from autism, tuberculosis and other conditions.

“My father saw the unique setting and opportunity in Idylease,” Zampella said. “Very important to dad was creating a distinctive environment for his family and medical practice, and building on the foundational work of his physician predecessors at Idylease.”

He proudly describes his father as a Jersey City kid who became a country doctor, a dedicated public servant, a lover of the arts and culture, and an innovator who augmented his on-site medical practice with a nursing home for the infirmed elderly that operated until 1972. At any given time, there were more than 70 staff, patients and guests at Idylease.

“My father believed that art and culture need to be essential in our daily lives and can teach us about ourselves. He thought that the arts can be transformative, take us out of our normal lives and change our thinking. He felt sometimes medicine was more art than science. That it wasn’t always about what you prescribe but how you prescribed it.”

Idylease was built by New York City physician Edgar Day in 1902 as a tribute to his daughter, who died in Newfoundland at the age of 16. After Day’s death in 1906, his mission continued with Dr. Drake, who took ownership of Idylease until his death in 1952.

“When railroad service ended in 1930s, effectively, too, did the area’s robust tourism business,” Zampella said. “Most other hotels and inns closed, and Idylease was unoccupied and dormant for many years. Further proof that change is a constant, and you must adapt to thrive, grow and succeed.”

A quintessential do-it-yourselfer when it comes to the restoration, he looks to the estate’s future with confidence and optimism. Yet the past often drives his work, passion and commitment to Idylease.

“Every day I think about my dad, Doctors Day and Drake, and those who have passed through Idylease,” he said. “They would be proud. When my hands run down the stairway banister, I smile knowing that their hands, along with Thomas Edison and other luminaries, have also touched them. We have a great past and look forward to a great future here.”